I am interested in how culture and the times we live in define our perceptions of place.
My studio practice incorporates the social element of interviewing others and is the point of departure for my painting process. I observe how people describe place, recording the distortions, emotions, projections, ambitions, needs, longing, and very often romanticized aspects that come in to play when describing personal experiences of place. The discrepancies between the concrete, objectively perceived elements of our surroundings and the less tangible, intuitively accessed realities of place are frequently the focal point of my images.
While referencing the tradition of historical landscape painting, often utilizing idyllic, romantic and pastoral imagery, I blur the boundaries of representational space with my passion for abstraction and the physical gestures of painting itself.